Pets, Do They Understand What Music Is?Keith
Does you pet prefer classical or pop music, or is it all irrelevant anyway?
Many pet owners leave their home radios playing all day for the listening pleasure of their dogs and cats. Station choices vary. “We have a very human tendency to project onto our pets and assume that they will like what we like,” said Charles Snowdon, an authority on the musical preferences of animals. “People assume that if they like Mozart, their dog will like Mozart. If they like rock music, they say their dog prefers rock.”
Against the conventional wisdom that musical notes is a uniquely human phenomenon, recent and ongoing research shows that animals actually do share our capacity for it. But rather than liking classical or rock, Snowdon, an animal psychologist at the University of Wisconsin-Madison, has discovered that animals march to the beat of a different drum altogether. They enjoy what he calls “species-specific music”: tunes specially designed using the pitches, tones and tempos that are familiar to their particular species.
With no pun intended, music is all about scale: Humans like it that falls within our acoustic and vocal range, uses tones we understand, and progresses at a tempo similar to that of our heartbeats. A tune pitched too high or low sounds grating or ungraspable, and music too fast or slow is unrecognizable as such. To most animals, human musical sounds falls for most creatures, our music falls into that ungraspable, unrecognizable category. With vocal ranges and heart rates very different from ours, they simply aren’t wired to appreciate songs made for our ears. Most studies find that, try as we might to get their legs thumping, animals generally dont respond to human music.
In 2009, researchers composed two songs for tamarin monkeys with vocalizations three octaves higher than our own and heart rates twice as fast. The songs sound shrill and unpleasant to us, but they seem to be music to the monkeys’ ears. The song modeled on excited monkey tones and set to a fast tempo made the tamarins visibly agitated and active. By contrast, they calmed down and became unusually social in response to a “tamarin ballad,” which incorporated happy monkey tones and a slower tempo.
Snowdon and Teie who created this music have moved on to writing for cats, and studying how they respond to it.
“We have some work-in-progress where we’ve transposed music and put it in the frequency range for cat vocalizations, and have used their resting heart rate, which is faster than ours,” he told us. “We find that cats prefer to listen to the music composed in their frequency range and tempo rather than human music.”
Dogs are a tougher lot, mostly because breeds vary widely in size, vocal range and heart rate. However, large dogs such as Labradors or Mastiffs have vocal ranges that are quite similar to those of adult male humans. “So, it is possible that they might be responsive to notes in our frequency range. My prediction is that a larger dog might be more responsive to human music than a smaller dog such as a Chihuahua,” Snowdon said.
Some dogs do appear to respond emotionally to human notes. Research led by Deborah Wells, a psychologist at Queen’s University Belfast, shows that dogs can discern between human music of different genres. “Our own research has shown that dogs certainly behave differently in response to different types of music, e.g., showing behaviors more suggestive of relaxation in response to classical music and behaviors more suggestive of agitation in response to heavy metal music,” Wells wrote in an email.
Considering that humans are always striving to please our pets, progress is likely to be made in the field of anima lsong. But no matter how well composers perfect their animal songs, the animals will probably never appreciate their species-specific music quite as much as humans appreciate ours. According to Snowdon, they lack an important musical ability that we have: relative pitch.
“We can recognize that a sequence of notes is the same whichever key its in,” he said. “I have found that animals have very good absolute pitch, but they don’t have relative pitch. They can learn to recognize a sequence of notes, but if you transpose the notes to a different key, so that the sequence uses the same relative notes but the key is different, they can’t recognize the relationships between the notes anymore.”